Skip to content
Modern Screenplay Logo Modern Screenplay

The Art & Craft of Great Screenwriting

Modern Screenplay Logo
Modern Screenplay

The Art & Craft of Great Screenwriting

Q. How to Format a Flashback?

Charlotte, March 29, 2024April 12, 2024

Flashbacks. Oh flashbacks.

Yes, most prominent filmmakers use them (even though younger filmmakers are advised not to). Why?

Not everything deserves a flashback.

You don’t want to use/overuse them for at least four reasons: 1) in alluding to things in the past minimally, you actually leave the audience wanting more; 2) you don’t want to disrupt the narrative’s pace, 3) having too many flashbacks in a screenplay bloats a production budget, and 4) you should avoid being lazy and/or hacky at all costs;  

BUT

When flashbacks are absolutely necessary, here are several different ways to format them.

Let’s Look at Parasite:

Method One

Use this method if you have several locations in the overall flashback. Put “Flashback” in each of the sluglines and then create an action line that denotes the end of the flashback. 

Here, Ki-Tek recounts what happened after the murderous birthday party in voiceover with the images supporting it.

Note the sluglines for all of the scenes and the “FADE TO BLACK” that gets us back to the present.  (Note: it’s a stylistic choice if you want to put parentheses around “Flashback”). 

Method Two

If you want to refer to a simple moment in the past, put “FLASHBACK” as a type of subslug/shot, write the scene, and then write a “BACK TO PRESENT” (or something similar). 

In this instance, matriarch Yon-Kyo is explaining to Chung-Sook about her son seeing a ghost. (What’s brilliant about Parasite is that the camera whips around to show the flashback happening in the space Yon-Kyo and Chung-Sook occupy). 

Other Methods

Dave Trottier outlines more variations in The Screenwriter’s Bible on pages 269-272. I’m not going to outline all of them here (because I recommend you pick up his book), but I do want to include an excerpt from it about quick flashes. 

Dave-Trottiers-The-Screenwriting-Bible
Don’t take my word for it. Dave Trottier’s “The Screenwriter’s Bible” is the authoritative formatting source.

Quick flashes

On rare occasion, you might have a situation where a character recalls a series of flashbacks in succession. Handle that with the same format you’d use for a MONTAGE or SERIES OF SHOTS. 

Trottier Quick Flashes

In effect, the above is a FLASHBACK MONTAGE, and you could call it that. 

If you have just one quick flashback, use the following format: 

Trottier Quick Flash

Formatting flashbacks don’t need to be hard. But if you have any questions, please let me know.

Formatting Fridays

Post navigation

Previous post
Next post

Related Posts

Formatting Fridays

Q. Do I Always Need to Use ‘Day/Night’ in a Slug?

April 5, 2024April 12, 2024

It’s good form to put either “Day” or “Night” in a slug. Some people may say “Avoid descriptors like ‘Morning,’ Dusk’ or ‘Three Strokes After Midnight’” but the Formatting Police won’t come after you if you do.  But what about “Continuous” vs. “Later”?  Let’s Look at Election: “Continuous” should be used when…

Read More
Formatting Fridays

Q. How to Introduce a Character for the First Time?

January 12, 2024March 26, 2024

As this is the first in this series addressing formatting issues, I thought it would be appropriate to address how to introduce a character for the first time. Here are some do’s and don’ts. Do’s: Don’ts: But if we’re not supposed to name actors, how does Barbie get away with it?…

Read More
Formatting Fridays

Q. How to Format Music in a Screenplay?

February 9, 2024April 12, 2024

If there’s background music, how do I include it? When a character sings, how on Earth do you format that? What about formatting lyrics? Great questions. In general, it’s best to not indicate specific songs unless it’s absolutely integral to the story (i.e., you’re writing a movie about the Beatles,…

Read More

About Me

Charlotte Winters

Hi, I’m Charlotte Winters. As an award-winning screenwriter with an MFA from UCLA who associate produced a show on behalf of The History Channel, lectured at UCLA, and freelanced at WB and FX, I am a lifelong student of the screenplay. I founded this blog because I love reading and analyzing great movies.

Search this Site

      ©2025 Modern Screenplay | WordPress Theme by SuperbThemes